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When we took a quick lunch break between seminars, Kurt intrepidly engaged with the immense confection that the baker had dubbed a “Texas doughnut” for his dessert. I love how this picture makes him look like Alex in Wonderland - there should almost be a tag hanging from the doughnut that says “This one makes you bigger”.
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We took a quick break from the convention to run out to the airport and pick up Mark who had just flown in from Austin. I was so happy to see him! It'd been a little over three weeks since I'd seen him last. We hustled him into the minivan and drove right back to the Cam-Plex, however, because we didn't want to miss the anvil shooting! Wahooooo!
I was so excited to see anvil shooting. I had read about it and seen videos on youtube, but I'd never seen it in person. The concept is pretty simple: take two anvils (yes, those things blacksmiths use), stack one on top of the other, generally the heavier one on the bottom (called the shooting anvil) and the lighter one on top. Add 1/3 - 1/2 pound of gunpowder in the cavity between the two and light with a fuse. BAM! A detonation that you can feel hit your chest sounds as the top anvil is lofted high up in the air and then begins tumbling gracefully down, horn over heel, after reaching it's apogee. If you're lucky, it sticks in the ground horn first, like a dagger.
As soon as the four of us we got out to the field and plunked down, we were treated to a triple firing. The New York Times reporter and photographer who were covering the event sat right in front of us and were subject to my Bob Wills flavored cry of "Awwwww-HAWWWWWWW!!!" every time the anvils went up. Just as the demonstration ended, big heavy drops of rain started to come down, so we high-tailed it back to the hotel and the hot tub to remedy the situation. After all, we needed to rest up for the big public display fireworks show that night!
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The show was incredible - well over an hour of amazing fireworks. Lots and lots of jaw dropping beauty.
Here are a dozen of my favorite fireworks photos from Wednesday night. Maybe you'll perceive a change that happened when I started trying to shoot beautiful abstracts instead of working to master photographing fireworks. I gained a whole new relationship with the images when I let go of the technological struggle. These excite all my color receptors and intrigue me with their shapes and forms in a way that straight on photographs wouldn't. I just love colored light, apparently!
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